Album Review: Deafening Silence by Desert Wave

“Vicenza is a city in the Veneto region of northeast Italy. It’s known for the elegant buildings designed by the 16th-century architect Andrea Palladio; these include the Palladian Basilica and the Palazzo Chiericati.” As a casual fan of architecture, this makes me wish I was there; however, I would also have to make my way to a live show from the band Desert Wave, which is based in this historic Italian city. The band released its second album, Deafening Silence, on November 14th, 2022.

About Deafening Silence

Desert Wave is a trio that includes guitarist Enrico “Burton” Dalla Pozza, Luca “Logan” Adamati on bass, vocals, and synth, and drummer Andrea “Drugo” Vetri. The music the three of them created for their new album is a hodge-podge of several genres, psychedelic, instrumental, stoner doom, metal and rock varieties, and desert rock.

“Outside Pt. 1” and its counterpart “Outside Pt. 2” bring us into the record with style while also preparing us for what is to follow. “Pt. 1” is a fully instrumental piece that creates an excellent buildup fulfilled by “Pt. 2”. The drums are the driving force here, and their increase in power and intensity creates the perfect vibe.

“Outside Pt. 2” begins with a fuzzed-out desert rock riff backed by more cool drum work. The music kicks into a slow groove once the bass comes in and serves as the verse section. Luca’s vocals remind me of King Buffalo’s Sean McVay, and as the track moves on, they seem to have taken a serious influence from that band as well.

Next is the title track, “Deafening Silence,” and besides being the album’s namesake, it is also what I feel is the best put-together song on the record. There are no vocals here, so the music needed to be strong enough to stand on its own, which it does, and quite convincingly. I think the space rock meets the psychedelic vibe of this song is Desert Wave at its best.

Coming in as the second to last track is “Venus Chains,” which slightly reminds me of the Dead Star era from King Buffalo, but with more of the personality of each of these musicians. The music has a psychedelic desert stoner rock vibe that is utterly enjoyable.

Final Thoughts

Desert Wave serves up fuzzy riffs and instrumental interludes across the seven songs and thirty minutes that make up the album, and when there are vocals, they are very pleasing to the ear. I recommend this album to fans of King Buffalo and other bands like them, as that sound is a large part of what Desert Wave presents to us. The cool thing is that they retain their identity while utilizing their influences, which is what every band should shoot for.

As I said earlier, the album is out now, available on Bandcamp, and I’d assume the other normal outlets, so go give the album a listen and see why it debuted at #15 on the most recent Doom Charts. Enjoy!

Support Pharm by checking out their Bandcamp or find them on social media (FacebookInstagram).

This review was written by Tom Hanno, who has been writing reviews for the last 7 years but has been sharing his love of music for the majority of his life. Originally starting out at the now defunct Chimera Magazine, he is currently contributing to Doomed and Stoned, The Sleeping Shaman, The Doom Charts, Tom’s Reviews, and The Third Eye. Read more of Tom’s reviews by checking out his Linktree.

6 responses to “Album Review: Deafening Silence by Desert Wave”

  1. Album Review: At the Institute of Mentalphysics by Betty Benedeadly & Braden Guess - The Third Eye Avatar

    […] certainly did not; Brad Frye and his Desert Records label put out some of the coolest music in the underground desert rock scene. Whether it’s his outstanding Legends of the Desert series, Cortége, Book of Wyrms, or my […]

    Like

  2. Album Review: Demos from the Den: Vols I and II by Wolf Lingo - The Third Eye Avatar

    […] jazz. The band finds common ground in their riff-laden, heavy tracks with progressive, psychedelic, desert, and classic rock roots. Chunky riffs, spiraling transitions, and tight grooves provide a through […]

    Like

  3. Album Review: Sons of the Occult by Thammuz - The Third Eye Avatar

    […] As the song moves forward, some bits seem to be influenced by Queens of the Stone Age but with less desert rock and more punk vibes. This song is an excellent way to get the ball rolling for the […]

    Like

  4. Album Review: Quasicosm - The Third Eye Avatar

    […] Artist” closes out the record by employing everything that has made this record what it is, hard-driving riffs, an excellent mix of influences, and superb playing by all involved. It’s great when a band […]

    Like

  5. Album Review: Legends of the Desert Vol. 3 By Fatson Jetson & Dali's Llama - The Third Eye Avatar

    […] Desert Rock is a genre that blends elements of heavy metal, 70s hard rock, psychedelia, blues, punk, alternative, grunge, and many other genres. It has been known to feature distinctive drum beats, western vibes, a propensity for free-form jamming, and trance-like or sludgy grooves. Certain artists in the genre could write soundtracks for Clint Eastwood-styled western movies, pulling it off with as much success as Ennio Morricone, albeit with a bit of a psychedelic twist. […]

    Like

  6. Album Review: Drifting In The Endless Void By Dozer - The Third Eye Avatar

    […] the Endless Void is an album with a wonderful flow full of fuzzy riffs, incredible vocals, and the desert vibes that have been a staple of their music since their inception. There’s more than a lot to […]

    Like

Leave a comment

The Third Eye

Welcome to The Third Eye, a music blog covering the best of psychedelic music. We primarily cover underground psych rock, but we also love stoner rock, ambient, cosmic country, and experimental music.

Third Eye on social media

Discover more from The Third Eye

Subscribe now to keep reading and get access to the full archive.

Continue reading